Two Powerful Plays Mark Grand Finale of ‘Ahsas Ke Rang’ Theatre Festival in Patna
Patna, March 30:
The two-day theatre festival “Ahsas Ke Rang Natyotsav Ke Sang,” organised by Ahsas Kalakriti, concluded on an emotionally resonant and artistically fulfilling note, showcasing two strikingly different yet equally compelling productions.
The closing evening featured Rangam, Patna’s solo performance “Aap Ki Sarita,” written by Satish Chitranvanshi and directed by Raas Raj, alongside Ahsas Kalakriti’s satirical play “Ta Hum Kunware Rahen?” penned by Satish Kumar Mishra and directed by Kumar Manav.
A Story of Grit and Self-Respect
Aap Ki Sarita emerged as a deeply moving narrative of resilience, tracing the journey of a young woman battling societal pressure and personal setbacks. After failing her intermediate exams twice, Sarita finds herself cornered by taunts and humiliation from both family and society. At her lowest point, she contemplates ending her life, but ultimately chooses courage over despair.
Defying her father’s refusal to support her education and enduring emotional neglect from her mother, Sarita takes charge of her life. She secures a teaching job, uses her earnings to reapply for exams, and studies tirelessly despite overwhelming responsibilities. Even as she battles typhoid during the examination period, her determination remains unshaken.
Her eventual success, passing in second division, becomes a turning point—not just for her, but also for her father, who undergoes a change of heart and supports her admission to Prayagraj University.
Pratiksha Anand delivered a riveting solo performance as Sarita, bringing emotional depth and authenticity to the role. The production was supported by costume designer Tanu Rai, lighting by Shivam Kumar, stage design by Nihal Kumar Dutta, coordination by Rashmi Singh, and stage management by Pinku Raj and Randhir Kumar Singh.
Satire Wrapped in Laughter and Irony
In stark contrast, Ta Hum Kunware Rahen? offered a sharp comedic take on social evils, particularly dowry and human greed. The play revolves around Gyangun Sagar, a physically and mentally challenged young man whose marriage prospects are repeatedly sabotaged by his father’s excessive dowry demands.
Frustrated and disillusioned, he visits his brother’s in-laws, where a simple instruction—to respond only in “yes” or “no”—spirals into a series of absurd misunderstandings. The confusion escalates to such an extent that his in-laws mistakenly believe their son-in-law has died, plunging the household into mourning.
The chaos intensifies when a conman, Thaganand, dupes Gyangun Sagar with the promise of marriage, leading him into a fraudulent setup involving a fake bride and a deceitful priest. Ultimately, he is robbed of his belongings, left lamenting his tragic irony: married, yet still alone.
The ensemble cast—Mantosh Kumar, Bhuvneshwar Kumar, Vijay Kumar Chaudhary, Rajkishore Paswan, Kumar Manav, Aryan Kumar, and Balram Kumar—delivered spirited performances, balancing humor with underlying social critique. The production featured stage design by Santosh Kumar, lighting by Mayank Kumar, makeup by Maya Kumari, and background sound by Mansi Kumari.
A Memorable Curtain Call
Together, the two plays offered a rich blend of emotion and satire, leaving the audience both introspective and entertained. The festival concluded with applause and appreciation, marking yet another successful chapter in Patna’s vibrant theatre culture.